Tuesday, 8 October 2013

OUGD504 Design for print: Concept Task

This afternoon Phil briefed us on a concept task which will also help us with our design production print brief. We were asked to choose 3 words from a jar and then 1 from the second jar. By then eliminating two of the three we would be left with the two words to use to create our concept.

We had the following:

(Jar 1)
Abacus
Pipe
Ball

(Jar 2)
Hotel

With these options we then decided to draw a mind map and think of as many words as possible which relate to each object. We were able to explore each word just as much as each other, however abacus seemed like possibly the more intriguing word to use for our main concept.



Once we had come up with our words to use, we then applied them to possible concept ideas. We had so many different ideas, considering audience especially and whether the concept should be focusing on a younger audience or adults, seeing as we are designing a hotel.

Our initial ideas consisted of:
  • Having slides for children and adults to move around the hotel
  • Having a hotel for blind people and making it a sensory experience with brail
  • Making it really chic and trendy in the centre of the city
  • We considered the fact that the plural of Abacus is Abaci - suggested name?
  • The idea of incorporating geometric design within the hotel to represent the balls
  • Perhaps sectioning off the hotel to incorporate the history of Abacus - countries?
Therefore it is clear that initially we were quite concerned about making a strong and obvious link to the Abacus itself. Looking at the history and reflecting it's existence within the hotel.


However, the more we thought about it and discussed our ideas, the more it became apparent that it would possibly be a more successful concept if we were to essential go 'back to basics' making a link to the abacus itself which was designed for children to use in the beginning. This subtle link allows us to concentrate on making our concept more of a simplistic design, driven by more simple ideas as opposed to complicated it and making it too complex.

Laura had the idea of each individual room forming the shape of a sphere, similarly to the balls on an abacus. Harrison then mentioned designing it so that the rooms were possibly externally build around a building. This gave me the idea to carry out some initial imagery research to get ideas flowing. 

My research consisted of the following images. I thought it was necessary to have an image of an abacus to be able to refer back to and look at the structure of it whilst considering the architecture of our hotel.


Rather than having the spherical rooms on the outside of the main structure of the building we decided to maybe situate the bubbles outside. They could be attached to each other with one long walkway, in a similar way to the image below. 


We thought that the bubbles themselves could be made out of glass and be controlled by having a switch whereby each couple or family could monitor how much light they were to receive inside of the bubble, and also alter it from the outside so that it is more private. We identified a problem with this idea however, because we realised how costly it would be to have such a mechanism, and if we consider an abacus and going back to basics, it would make more sense if we were to be more eco-friendly and simplistic.






When considering transport to each of the bubbles we thought about having lifts like the image below, but this was linked to our initial idea of having a large building with lots of bubbles inside of it. This is taking more of a scientific space age route which doesn't really portray what we are trying to say.


A more eco-friendly, suitable way of reaching each of the bubbles would be to have a walkway illustrated in the image below. The walkway would be attached to wooden ramps for easy access.


The image below links very closely to another idea we came up with, where we considered having half of the bubble hidden underground. This would then give the visitors an even more extraordinary experience, however I think it may be a bit too far fetched.


If we had gone with the idea of having rooms inside of a building it would have looked a little bit like the image below. Or perhaps similar to the Eden Project. We most certainly took inspiration from the Eden Project, as it is an eco-friendly environment with so many visitors throughout the year. It would be a strong concept if we were able to attract as many visitors as the Eden Project itself.




I came across this image of an interesting light. This would look quite chic and trendy incorporated in glass bubbles perhaps, but it isn't very clean and eco-friendly and not as sustainable as it could be. In addition, when we ask ourselves 'why?' when considering the use of glass to create our bedrooms, there is no really clear answer as to why it would be the preferred material to use. 


We then started to think about how we could perhaps make it more sustainable and unique for visitors. Instantly we thought about Go Ape and the unique experience. I think this is something that could most certainly be incorporated within our concept. Having an adventure playground essentially surrounding the bubble rooms would give the venue an added twist and would be like no other hotel. I think this is necessary as at the moment we only really have a very basic concept to work with.


When looking at go ape it made me think about treehouses and how there are already existing places to stay which involves this kind of experience. I came across the image below and instantly thought it would look impressive at night to be able to use energy from the exterior solar panels to power light on the outside, creating a whole new experience in the evening, and when looking from above, forming the same shape as an abacus with lots of pathways created through the trees along the zipwire paths and other forms of transport like the image above. Although this wouldn't affect the people staying there necessarily as they wouldn't be able to view it from above, it would make it a cosy place to be in the evening and all of the rooms could be surrounding a main bubble in the centre with a restaurant and other facilities. The birds eye view could also be used on brochures as a selling point to attract people's attention.


By changing our concept it has changed our target audience. Anyone looking for an active break or perhaps just a unique experience surrounded by nature and tranquility, this would be ideal. We wanted to use earthy colours to create an organic eco-friendly feel. I think as well for a lot of people who enjoy the countryside and long walks, this hotel experience would be ideal as there is no fuss, it isn't overly exquisite, but instead it allows people to enjoy themselves but at the same time helping the environment too by visiting such a sustainable hotel as opposed to one which uses extensive amounts of electricity.


We also briefly considered the facilities there and thought about incorporating a swimming pool. I came across the image below and instantly found it inspirational because it is just so different from most. This wouldn't obviously work in our scenario but instead I decided to carry out some further research to find something more relevant.


This image below is much more fitting with our idea. Although now that we aren't using glass, and instead have opted for wood, it would be made out of this instead. I think it could be created in such a way that portrays a sanctuary and somewhere to really relax completely.


We initially took inspiration from this image as well, as the external pipes relate very closely to one of our key words, leading us to consider an outdoor hotel in touch with nature.


This is exactly what we were looking to create. Apart from the fact that the ceiling would be glass perhaps so that the visitors could look at the sky as they are falling asleep. This would most certainly be a very different experience for most and I don't think it would ever get boring either. Why? Because it is original and will always reflect our brand 'Abaci'.



We then decided to write out our final ideas for our chosen concept. We wrote down a few of the main features which structure our concept. We had a bit of fun with this as well, when considering target audience we suggested having a zip wire as well as a lazy river for the eldery to get from one place the other. Laura then started to write out a brief plan for our presentation.


Logo designs consisted of the following. Jake came up with the designs below, incorporating balls as well as pipes into the designs and creating the formation of a tree to represent our concept. I really like all of the ideas and think they would all work well.





I took it upon myself to start the presentation whilst we were still brainstorming as we already knew what our concept was, we just needed to polish it off slightly to make sure we had covered everything we needed to.














OUGD504: Design for Print, Studio task

OUGD504
DESIGN FOR PRINT
STUDIO TASK


In groups we were asked to converse and discuss the findings from the work we collected after last weeks session. We each fed pack to the group the information we had discovered about FORMAT COLOUR PRODUCTION PROCESS and STOCK.

Format: we decided as a group that format was the consideration of scale and size in accordance to the purpose of the design

Colour: The connotations of each colour has to be taken in to consoderation. we also considered monotones, formula colour and CMYK


In a further class disscusion we narrowed the definitions even further

FORMAT: Scale and size
COLOUR: Colour modes, hues and function
PRODUCTION: 'The actual making of it'
PROCESS: The method
FINISHING: Production and process
STOCK: Substrates for printing (considerations)

Format

Poster



Magazine




Colour

One colour



Metallic




Production

Binding





Screen printing



Processes

Foiling



Laser cut




Finishing

Embossing



Spot varnishing



Stock




OUGD504 Design for print: Study session

Last week we were asked to bring 5 examples of print with different finishes, production methods and so on..


Task 1:

For our first studio session we were put into groups of 6 and had to discuss our findings from last weeks task. We discussed what certain things we found for each category and created a summative statement for each of them.


Format: The physical object that has been designed



  • Scale
  • Function
  • Format
  • Context
  • Magazine, leaflet ect.
Colour: Something used for both function and connotation.


  • RGB
  • CMYK
  • Screen Print
  • Processes e.g flouresent inks
  • Connotation e.g red = danger
  • Colour theory / harmony
Production: A craft or skill.
  • Book binding
  • Laser cut
  • Bringing all the elements together - final part
  • Possibly more broad than processes
Process: Mostly to do with print
  • Stamping
  • Screen printing
  • "The making of it"

Finishing: A process used after a design is printed, and can change the style / quality of a design
  • Foiling
  • Spot Varnish
  • Consider cost, stock, audience

Stock: The material in which the design is printed onto
  • Wood
  • Paper
  • Card
  • Plastic
After doing this we, discussed further on what else these categories meant to try and find a more broader and discussed meaning, which are highlighted in green above.

After this group exercise we then shared our idea's as a class and came up with another list of what these categories meant.

Format: Scale, size and working within that
Colour: Colour modes, hues and function
Production: The actual making of it
Process: The method
Finishing: Production and process combined / Post print alterations
Stock: Substrates for print (Considerations)

We also discussed that these categories are all interlinked, in creating a printing process. These also impact and inform your design decisions and the final outcome!

I found this studio task, very beneficial as I was able to learn about other peoples depictions of what they thought these categories meant and discuss our opinions in an effective way to create possible definitions. At the begging we all agreed upon what these processes could mean, but after asking ourselves why and how we had come up with that solution we pushed our idea's further which gave me a broader and more knowledgable understanding about design for print.




Task 2:


For the second session we then looked at our groups 5 examples of design for print. As a group we had a broad range of examples to analyse. I found this really interesting as it gave me an insight into how big design for print can range to and people interpretations of what it entails.


We again looked through the 4 categories for print, including cost.


Format: We were asked to put our examples into piles of formats and these were what we collated.



(listed from top left - bottom)
  • Packaging
  • Magazines
  • Books
  • Flyers
  • Business Cards
  • Clothing Labels
  • Posters
  • Photography
  • CD -Rom
  • Card
  • Lampshade


Trying to put certain examples into format piles was initially quite easy to differentiate what went were. But when it came to certain items like the CD- Rom, Lampshade and Card we were discussing weather they belonged in there own separate category or in fact if they fell into another. We then as a group reflected back on the considerations for design for print and decided that they fell into their own category simply due to the stock they were printed onto, their form and function.

Colour: We then had to move the examples into piles using different colour, as a group we decied to look at the examples that used one colour and two colours plus stock.

1 Colour:





 2 Colours + Stock:


I found the section of the task quite hard to figure out because some of the stocks that designs had been printed onto created different tones and hues which was hard to differentiate what category they were in. However we only chose examples that were explicit to what we was trying to find and the one's that I was confused about I would like to find out further to see what process were used to achieve the look.

Production: We then categorised our work, into what was printed in mass, shortly and bespoke which means original and unique.


Mass Production:





Short Run:





Bespoke:





Processes: 


Spot Varnish:





Digital:





Emboss:







Mono Print:





Laser Cut:





Screen Print:





Cost: We then arranged our examples in a low to high price range in regards to how much it would cost to reproduce one of them.



(Low top left - To high bottom)


By doing this we saw that the high end products had a more professional and desirable design compared to the low priced one's as the high priced items used processes like spot varnish and laser cut to achieve and create a distinctive design.


For the final part of the task, we have to identify our examples into categories of distribution.


Branding + Identity: For this we selected all the clothing tags and business cards as they are brand with a distinctive style and values.







Packaging + Promotion: For this we selected retail bags, nightclub flyers, food packaging ect.





Publishing + Editorial: For this we collated magazines and books.




Information + Way-finding: For this we chose instruction manuals and leaflets.




Although we did organise our examples into each section, I found that some of the products were interlinked in regards to the format they were produced in. However the function of them also defined what category they went into. e.g a leaflet could go into publishing and editorial but it's purpose and function is to inform, therefore it being put into the Information + Way-finding pile.

The second studio task was my favourite as I got too see physical examples of the innovative ways that you can design for print. This again made me want to learn more about these processes and gain some more knowledge about them and to develop skills for future briefs.

Wednesday, 2 October 2013

OUGD504: What Is Design For Print?

OUGD504
WHAT IS DESIGN FOR PRINT?

As a group we were asked to discuss and write down what we thought design for print was. We came up with the following.

- The consideration of the printing process before designing.
- The consideration of format and layout.

- The easiest way to mass produce design.
- Examples of print production: Books, posters, zines, leaflets, posetcards, stationary, billboard, packaging.
- processes for print: Screen printing, laser print, inkjet, lino, foiling, 3D, textile, stamps.
- A design intended to be physical.
- Communicating a message in a physical way via a printing process.
- What is printing? Is it only when ink is involved or are processes such as embossing and engraving printing.
- Designing for print is finite, where as designing for web is dynamic and can always change.

considerations for design for print can be grouped in the following catagories:
- FORMAT
- COLOUR 
- PRODUCTION 
- PROCESSES 
- FINISHING
- STOCK
For each of these catagories find 2 relevant eaxamples for design for print.

PRINT PROCESSES:
-Sreen printing
-Digital print
-Laser print
-Inkjet 
-Lino 
-Foiling 
-3D printing 
-Stamp
-Wood block
-Spot varnish
-Monopriniting
-Letter press
-Collagraph 
-Vinyl cut